The art collector and the art market: extra readings

A selection of articles and books in English and French for the visual art collector

• Abbing, Hans. Why Are Artists Poor?: The Exceptional Economy of the Arts. Amsterdam: Amsterdam University Press, 2002. Texte intégral/Full Text.

• Adam, Georgina. Big Bucks: The Explosion of the Art Market in the 21st Century, London: Lund Humphries, 2014.   

• Adam, Georgina.   "Year in review: six things you need to know about the art market",   The Art Newspaper.   Issue 263, December 2014.   Texte intégral/Full Text.

• Alsop, Joseph. The Rare Art Traditions: The History of Art Collecting and Its Linked Phenomena Wherever These Have Appeared. New York: Harper & Row, 1982.   

• Altshuler, Bruce. Collecting the New: Museums and Contemporary Art. Princeton, N.J: Princeton University Press, 2005.   

• Collector's Guide ADAC/AMAC. Toronto, Ont: Art Dealers Association of Canada, 2003.   

• McKaskell, Robert. Windsor Collects: 150 Years of Canadian Art: July 19-September 28, 1997. Windsor, Ont: Art Gallery of Windsor, 1997.   

• Bamberger, Alan S. The Art of Buying Art. Phoenix, AZ: Gordon's Art Reference, Inc, 2007.   

• Bamberger, Alan S. Art for All: How to Buy Fine Art for Under $300. Radnor, Pa: Wallace-Homestead Book Co, 1994.       

• Bellavance, Guy. Le Secteur Des Arts Visuels Au Canada: Synthèse Et Analyse Critique De La Documentation Récente. Montréal, Qué: Institut national de la recherche scientifique, Centre - Urbanisation culture société, 2012.  Texte intégral/Full Text.

• Bellingham, David. An Introduction to the Art Market: A Handbook for Students and Collectors. 2013.   

• Bellini, Andrea, Cecilia Alemani, and Lillian Davies. Collecting Contemporary Art. Zurich: JRP/Ringier, 2008.   

• Benhamou-Huet, Judith. Art Business. Paris, France: Assouline, 2001.   

• Benhamou-Huet, Judith. Les artistes ont toujours aimé l'argent: d'Albrecht Dürer à Damien Hirst. Paris: Grasset, 2012.   

• Boll, Dirk. Art for Sale: A Candid View of the Art Market. Ostfildern, Germany: Hatje Cantz, 2011.   

• Bourgineau, François. Art Et Argent: Les Liaisons Dangereuses. Paris: Hugo, 2009.   

• Bowley, Graham.   Tax Break Used by Investors in Flipping Art Faces Scrutiny.   The New York Times,   April 26, 2015.   Texte intégral/Full Text.

• Braathen, Martin. The Price of Everything: Perspectives on the Art Market. New Haven, CT: Yale University Press, 2007.   

• Bryce, Alan D. Art Smart: The Intelligent Guide to Investing in the Canadian Art Market. Toronto [Ont.: Dundurn Group, 2007.

• Buck, Louisa, and Judith Greer. Owning Art: The Contemporary Art Collector's Handbook. London: Cultureshock, 2006.   

• Buck, Louisa, and Daniel McClean. Commissioning Contemporary Art: A Handbook for Curators, Collectors and Artists. London: Thames & Hudson, 2012.   

• Buck, Louisa. Moving Targets 2: A User's Guide to British Art Now. London: Tate Pub, 2000.   

• Buskirk, Martha. Creative Enterprise: Contemporary Art between Museum and Marketplace. New York, N.Y: Continuum, 2012.   

• Cabanne, Pierre. Les Grands Collectionneurs. Paris: Amateur, 2003.   

• Canadian Antiques Collector. Toronto: Denmount Pub, 1966.   

• Caplin, Lee E. The Business of Art. Englewood Cliffs, N.J: Prentice-Hall, 1982.   

• Carey, Brainard. Making It in the Art World: New Approaches to Galleries, Shows, and Raising Money. New York: Allworth Press, 2011.   

• Catterall, Lee. The Great Dalí Art Fraud and Other Deceptions. Fort Lee, N.J: Barricade Books, 1992.   

• Chan, Michele.  12 Resources on Art Investment.  Art Radar, March 20, 2015.  Texte intégral/Full Text.

• Chanin, Eileen. Collecting Art: Masterpieces, Markets and Money. Roseville, N.S.W: Craftsman House, 1990.   

• Chu, Christie.  Record-Breaking $15.2 Billion Worth of Art Was Sold in 2014.   Artnet News,  February 26, 2015.   Texte intégral/Full Text.

• Cohen, Hal L. Official Guide to Popular Antiques, Curios: The Price to Buy & Sell. Florence, Alabama: House of Collectibles, 1975.   

• Collector's Handbook: Published in Conjunction with the Collector's Symposium, October 21, 1978. Cincinnati: Cincinnati Art Museum, 1978.   

• David, Carl. Collecting and Care of Fine Art. New York: Crown Publishers, 1981.   

• Davis, Ron. Art Dealer's Field Guide: How to Profit in Art Buying and Selling Valuable Paintings. Jacksonville, Fla: Capital Letters Pub, 2005.   

• Dempster, Anna M. Risk and Uncertainty in the Art World. London: Blumsbury Publishing, 2014.   

• Deschênes, Marcel. L'art De Qui?: Analyse Et Description Chiffrées De Ce Qui Nous Tient Lieu De Marché De L'art. Montréal, Québec: Varia, 2003.   

• Dodeman, Jacques. Guide to the Art Market : Guide Du Marché De L'art. Paris: Journal des Arts, 1995.   

• Doussy, Michel. Guide Des Secrets De L'antiquaire. Paris: Stock, 1971.   

• Doussy, Michel. Antiques: Professional Secrets for the Amateur. New York: Quadrangle/New York Times Book Co, 1973.   

• DuBoff, Leonard D. The Art Business Encyclopedia. New York: Allworth Press, 1994.   

• Duldulao, Manuel D. The Art Collector's Guidebook. Quezon City, Metro Manila, Philippines: Reyes Pub, 1999.   

• Duret-Robert, François. Droit Du Marché De L'art: 2013-2014. Paris: Dalloz, 2013.   

• Findlay, Michael. The Value of Art: Money, Power, Beauty.  New York: Prestel, 2014.   

• Fitzgibbon, Marian. Managing Innovation in the Arts: Making Art Work. Westport, Conn: Quorum Books, 2001. Texte intégral/Full Text.

• Froidefond, Antoine.   2014, année de tous les records pour les enchères d'oeuvres d'art.   La Presse, février 26, 2015.  Texte intégral/Full Text.

• Gagnon, Paulette, and Yolande Racine. L'oeil Du Collectionneur. Montréal: Musée d'art contemporain de Montréal, 1996.  Texte intégral/Full Text.

• Gaillard, Agathe. Mémoires D'une Galerie. Paris: Gallimard, 2013.   

• Gale, Peggy, and Victoria Henry. Art at Work/L'art au travail. Ottawa: Canada Council for the Arts Art Bank = Banque d'oeuvres d'art du Conseil des arts du Canada, 2007.   

• Gerlis, Melanie. Art As an Investment?: A Survey of Comparative Assets. London: Lund Humphries, 2014.

• Gimpel, René. Journal D'un Collectionneur: Marchand De Tableaux. Paris: Calmann-Lévy, 1963.    

• Goodwin, James. The International Art Markets: The Essential Guide for Collectors and Investors. London: Kogan Page Ltd, 2008.

• Grant, Daniel.   Fine-Art Sales Often Come With Strings Attached.  Galleries are increasingly telling buyers who they can and can’t resell to.   The Wall Street Journal,  April 12, 2015.  Texte intégral/Full Text.

• Graw, Isabelle. High Price: Art between the Market and Celebrity Culture. Berlin: Sternberg Press, 2009.   

• Guiot, Nathalie, Léa Gauthier, Patrick L. Watson, Nicola M. Taylor, and Vanessa Ackerman. Conversations: Artistes Et Collectionneurs = Artists and Collectors.  Montreuil: Black Jack Éditions, 2013.   

• Halperin, Julia.   "Almost one third of solo shows in US museums go to artists represented by just five galleries"   The Art Newspaper.   Issue 267, April 2, 2015.   Texte intégral/Full Text.

• Hiscox and ArtTactic.   The Hiscox Online Art Trade Report 2015.   Hiscox/ArtTactik,  February 21, 2015.   Texte intégral/Full Text. ​

      Commentaires/Comments

  • Decaux, Anne-Hélène.  Hiscox et ArtTactic: de la dématérialisation du marché de l'art.  News of the Art World,  April 27, 2015.  Texte intégral/Full Text.

  • Shaw, Anny.   Three quarters of new collectors buy art online for investment, study finds.   The Art Newspaper,   April 21, 2015.   Texte intégral/Full Text.

  • Genocchio, Benjamin.  Why The Hiscox Online Art Trade Report 2015 Is Misleading Nonsense.   Artnet News,   April 27, 2015.   Texte intégral/Full Text.

• Holst, Niels. Creators, Collectors, and Connoisseurs: The Anatomy of Artistic Taste from Antiquity to the Present Day.   New York: Putnam, 1967.   

• Holz, Georgia, Ilse Lafer, and Sabine Folie. A Book About Collecting and Exhibiting Conceptual Art After Conceptual Art.   Vienna: Generali Foundation, 2013.   

• Hook, Philip. Breakfast at Sotheby's: An A-Z of the Art World.   London: Particular Books, 2013.   

• Horowitz, Noah. Art of the Deal: Contemporary Art in a Global Financial Market.   Princeton, N.J: Princeton University Press, 2011.   

• Horst, Mariska and Gary Schwartz. Changing Perspectives: Dealing with Globalisation in the Presentation and Collection of Contemporary Art.   Amsterdam: KIT, 2012.   

• Hotchkiss, John F. Limited Edition Collectibles: A Handbook with Prices. New York: Hawthorn Books, 1974.   

• Hunter, Lisa. The Intrepid Art Collector: The Beginner's Guide to Finding, Buying, and Appreciating Art on a Budget. New York: Three Rivers Press, 2006.   

• Hyner, Jana, Silvia A. Barrilà, Andrew Craston, Katharina Knaus, and Alexander Lipp. Bmw Art Guide by Independent Collectors: The First Global Guide to Private and Publicly Accessible Collections of Contemporary Art. Ostfildern: Hatje Cantz, 2012.   

• Collect: The International Art Fair for Contemporary Objects. London: Crafts Council, 2012.   

• Jelinek, Alana. This Is Not Art: Activism and Other 'not-Art'. , 2013.   

• Kelley, Austin P. The Anatomy of Antiques: A Collector's Guide. New York: Viking Press, 1974.   

• Klein, Ulrike. The Business of Art Unveiled: New York Art Dealers Speak Up. Frankfurt am Main: Peter Lang, 1994. 

• Kossenjans, Jasmin, and Francis Buttle. Consumption Behaviour, Aesthetics and the Artworld: Identifying the Determinants of Value Generation of Contemporary Art. Thesis, Australia Macquarie University, 2011.   

• Kritzinger, Nicola. The Public Influence of the Private Collector: A Hand in History.  Johannesburg: University of the Witwater, 2013.   Texte intégral/Full Text.

• Lerner, Ralph E, and Judith Bresler. Art Law: The Guide for Collectors, Investors, Dealers, & Artists.  New York: Practising Law Institute, 2012.   

• Lesueur, Véronique. Peggy Guggenheim: Un Fantasme D'éternité. Paris: Payot, 2009.   

• Lewis, Ben. The Great Contemporary Art Bubble Update. London: BBC4, 2009.

• Lind, Maria, and Olav Velthuis. Contemporary Art and Its Commercial Markets: A Report on Current Conditions and Future Scenarios. Berlin: Sternberg Press, 2012.   

• Lindemann, Adam. Collecting Contemporary Art. Köln: Taschen, 2013.   

• Lindemann, Adam.  The Art World’s Biggest Lie: A Collector Debunks Art as an Investment.   New York:  Observer,   February 11, 2015.   Texte intégral/Full Text.

• Little, Henry.   Is the art market unhealthy?   London:  Apollo Magazine, July 3, 2015.   Texte intégral/Full Text.

• Loria, Jeffrey H. Collecting Original Art. New York: Harper & Row, 1965.   

• Loudmer, Guy, and Jean Bedel. Guide Des Salles De Vente. Paris: Stock, 1974.   

• Lown, Patrick T, and David A. Lown. All Paris: The Source Guide. New York: Palancar, 1999.   

• Maciolek, Cindi R. The Basics of Buying Art. San Jose, CA: Grand Arbor Press, 1995.   

• McAndrew, Clare. The Tefaf Art Market Report 2015. Maastricht: TEFAF, 2015. ​

      Commentaires/Comments

  • Daria, Daniel.  40 Percent of World Gallery Art Sales Made at Fairs and Other Key Findings in the TEFAF Art Market Report 2015.  Artnet News, March 12, 2015.  Texte intégral/Full Text.

  • Decaux, Anne-Hélène.  What you Need to Remember from the Tefaf Art Market Report 2015.  News of the Art World,  March 17, 2015.  Texte intégral/Full Text.

  • Kinsella, Eileen. World Art Market Passes €51 Billion Says 2015 TEFAF Art Market Report.   Artnet News, March 11, 2015.  Texte intégral/Full Text.

• McAndrew, Clare. The International Art Market in 2011 : Observations on the Art Trade Over 25 Years. Helvoirt [The Netherlands: The European Fine Art Foundation, 2012.   Texte intégral/Full Text

• McAndrew, Clare. The Art Economy: An Investor's Guide to the Art Market. Dublin, Ireland: Liffey Press, 2007.   

• McIntyre, John. The People's Collector: How a Public Librarian in One of America's Roughest Cities Build a World-Class Collection of Prints. , 2012.   

• McNulty, Tom. Art Market Research: A Guide to Methods and Sources. Jefferson, N.C: McFarland & Co., Publishers, 2006.   

• McVeigh, Patrick. Antiques: A Guide to Sensible Buying. Edinburgh: John Donald Publishers Ltd, 1974.   

• Miller, Judith, and Mark Hill. Collectibles Handbook 2012-2013. New York, N.Y: Miller's, 2012.   

• Moore, Sean. How to Make Money As an Artist: The 7 Winning Strategies of Successful Fine Artists. Chicago: Chicago Review Press, 2000. 

• Moureau, Nathalie. Analyse Économique De La Valeur Des Biens D'art: La Peinture Contemporaine. Paris: Economica, 2000.  

• Moureau, Nathalie; Dominique Sagot-Duvauroux et Marion Vidal.   Collectionneurs d'art contemporain : des acteurs méconnus de la vie artistique.   Paris, Ministère de la culture et des communications, avril 2015.   22 p.   Texte intégral/Full Text.

• Nash, Alice. Collector's Handbook. Naples, Fla: Harmon-Meek Gallery, 1982.   

• Parsons, Nicolas T.   The Commodification of Culture: Money, Aesthetics and the Contemporary Art Racket-Part I.   Hungarian Review,  Issue 2, 2015: pp.102-108.   Texte intégral/Full Text.

• Polsky, Richard. Art Market Guide, Contemporary American Art. New York: Distributed Art Publishers, 1995.   

• Prisant, Carol. Antiques Roadshow Collectibles: The Complete Guide to Collecting 20th-Century Toys, Glassware, Costume Jewelry, Memorabilia, Ceramics & More, from the Most-Watched Series on Pbs. New York: Workman Pub, 2003.   

• Renaud-Boulart, Martine, and Jack Lang. Artistes Et Mécènes: Regards Croisés Sur L'art Contemporain. Paris: Ellipses, 2013.   

• Robertson, Iain. Understanding International Art Markets and Management. London: Routledge, 2005.   

• Robertson, Iain. A New Art from Emerging Markets. Surrey, UK: Lund Humphries, 2011.   

• Robertson, Iain, and Derrick Chong. The Art Business. London: Routledge, 2008.   

• Rogers, Carole G. How to Collect: A Complete Guide : the Art of Buying, Displaying, Preserving, Protecting & Selling Your Antiques. New York: Dutton, 1981.   

• Rozell, Mary. The Art Collector's Handbook: A Guide to Collection Management and Care. , 2014.   

• Saatchi, Charles N. My Name Is Charles Saatchi and I Am an Artoholic: Answers to Questions from Journalists and Readers. London: Booth-Clibborn Editions, 2012.   

• Saldern, Axel , Joan O. Smith, and Sandra Amann. The Fine Art Collector's Guide: To Securing, Preserving & Conserving Works of Art, Including Tax Planning. New York?: Nordstern Insurance Co. of America, 1996.   

• Skatershchikov, Sergeĭ. Skate's Art Investment Handbook: The Comprehensive Guide to Investing in the Global Art and Art Services Market. New York: McGraw-Hill, 2010.

• Skate’s.  Skate’s Art E-Commerce and Media Report, Spring 2015.   New York, Skate's, March 16, 2015.  Texte intégral/Full Text.

• Skate’s.  Which Art Business is Leading the Race for an Audience Online?   New York, Skate's, June 13, 2015.  Texte intégral/Full Text.

• Smith, Constance. Advanced Strategies for Marketing Art: Innovative Ways to Boost Your Art Career. Nevada City, Calif: ArtNetwork, 2011.   

• Smith, Jean, Ken Bell, and Elizabeth Smith. Collecting Canada's Past. Scarborough, Ont: Prentice-Hall of Canada, 1973.   

• Soboleva, Elena.   How Collectors Use Instagram to Buy Art. (Part One)   Artsy,  April 19, 2015.   Texte intégral/Full Text.

• Stallabrass, Julian. Art Incorporated: The Story of Contemporary Art. Oxford: Oxford University Press, 2004.

• Stallabrass, Julian. Internet Art: The Online Clash of Culture and Commerce. London: Tate Pub, 2003.   

• Taylor, John R, and Brian Brooke. The Art Dealers. New York: Scribner, 1969.   

• Thomas, Mona. Un Art Du Secret: Collectionneurs D'art Contemporain En France. Nîmes: J. Chambon, 1997.   

• Thompson, Alan G. Buying and Selling Pictures Successfully. London: R. Hale, 1997.   

• Thompson, Donald N. The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art. New York, NY: Palgrave Macmillan, 2008.   

• Thornton, Sarah.  33 Artists in 3 Acts.   New York, NY: W.W. Norton, 2014.

• Thornton, Sarah.   Sarah Thornton’s Top 10 Reasons for Quitting the Art Market Beat.   BlouinArtInfo,   Market Watch,   October 22, 2012.   Texte intégral/Full Text.

• Thornton, Sarah. Seven Days in the Art World. London: Granta, 2008.

• Vance, Judith. Seeing Things: An Appraiser's Handbook for the Examination and Description of Fine Art. Peterborough, N.H: Fraser Publishing Co, 2010.   

• Velthuis, Olav. "Globalization and Commercialization of the Art Market." in: Contemporary Art: 1989 to the Present. (2013): 369-378.   

• Vollard, Ambroise. Souvenirs D'un Marchand De Tableaux. Paris: A. Michel, 1937.   

• Wagner, Ethan, and Thea W. Wagner. Collecting Art for Love, Money and More. London: Phaidon Press, 2013.   

• Werner, Henry. Modern Art for Sale: Les Plus Grandes Foires Et Salons D'art Au Monde. Düsseldorf (Allemagne: Feymedia, 2010.   

• West, Paige. The Art of Buying Art: An Insider's Guide to Collecting Contemporary Art. New York: HarperCollins Publishers, 2007.   

• Westbridge, Anthony R. Canadian Art: 20 Years of Investment: A Special Business Report on the Canadian Art Market from 1977-1997. Vancouver, B.C: Westbridge Publications Ltd, 1998.   

• Westbridge, Anthony R. Canadian Art: The Investment of the 90's. Vancouver, B.C: Westbridge Publications, 1990. 

• Wilson, Robert A. Modern Book Collecting: A Basic Guide to All Aspects of Book Collecting: What to Collect, Who to Buy From, Auctions, Bibliographies, Care, Fakes and Forgeries, Investments, Donations, Definitions, and More. New York: Skyhorse Publishing, Inc, 2010.

• Yeide, Nancy H, Amy Walsh, and Konstantin Akinsha. The AAM Guide to Provenance Research. Washington, DC: American Association of Museums, 2001.   

• Zander, Ivo, and Mikael Scherdin. Art Entrepreneurship. Cheltenham, UK: Edward Elgar, 2011.   

• Zema, Scott. Three Steps to Investment Success: Buying the Right Art, Antiques, and Collectibles: a Certified Appraiser Guides You Through the Personal Valuable Properties Marketplace. United States: Ark Ltd. Pub, 2010.   

• Zorloni, Alessia. The Economics of Contemporary Art. Berlin: Springer, 2013.